JENSEN at 30: A Culture of Place

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Jensen Architects

To create architecture, to build everything from a private home to a public park, requires a deep understanding of a site: its ground conditions, neighborhood context, and history. At Jensen Architects, we’ve spent thirty years learning how to foster a culture of place in our projects—at every scale. And we’re still learning, so that equity and memory are embodied in our designs and that we make places where people feel they belong.

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Equity at the Shore

San Francisco’s India Basin Waterfront Park is a greenspace 25 years in the making. This fall, a new section opened to the public: 900 Innes Park—an important piece of connective tissue along the shoreline. The 10-acre city park welcomed community members and visitors to experience the transformation of a toxic, industrial boatyard into a place designed for and in collaboration with the Bayview Hunters Point neighborhood. Jensen Architects, as part of a team led by landscape architecture firm GGN, developed an architectural language that references the long history of the site and is steeped in the values of spatial justice.

Guided by an Equitable Development Plan, the Jensen Architects and GGN team worked with the Trust for Public Land and San Francisco Recreation and Parks—in partnership with SF Parks Alliance, and A. Philip Randolph Institute San Francisco (APRI SF). According to Joshua Silver, program manager San Francisco Recreation and Park Department, the India Basin Waterfront Park and 900 Innes is one of only a few parks in the US to use such a plan.

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“The India Basin Waterfront Park Project showcases the drastic transformation of a previously inaccessible section of waterfront into a public space that is vibrant, inclusive and safe,” says Silver. “The Equitable Development Plan provides a strategic roadmap that ensures park buildings, features, and programming are culturally relevant and directly benefit the Bayview-Hunters Point community.”

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At the heart of the project is a desire to connect the Bayview community to the water and its maritime past. A series of terraced promenades knit the shoreline back into the urban fabric and a new pier brings boating and fishing to this corner of San Francisco. Jensen Architects designed several structures to house amenities for neighbors and visitors, including a food pavilion run by local purveyors, a community workshop, and a boathouse. Made out of perforated aluminum panels and painted white, these translucent “ghost buildings” echo the 19th century Scow Schooner Boatyard that once hugged the shore. The design team took clues from archival images and the existing Shipwright’s Cottage, which was preserved and restored as an interpretive center and classroom.  

The final list of programs and facilities grew out of many conversations with stakeholders, and through engagement led by APRI SF, their desires, questions, and concerns shaped the design. A recent feature in the San Francisco Chronicle highlights the park’s success with locals.

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“This park is a symbol of hope for the future of Bayview,” says Jackie Flin, executive director of APRI SF. “For years we have envisioned a park that incorporates the voices, spirit and soul of the community. The design reflects the rich cultural history of the space while inviting the community to establish new experiences and memories in physical moments throughout the park. The SF Recreation and Parks Department has embarked on a historic endeavor by developing an Equitable Development Plan, guided by community leaders. With community participation leading the way, this park begins to write a new narrative around how we strengthen historically disenfranchised communities through a lens of equity. We have hope for a stronger and healthier San Francisco for all.”

In May, Jensen principal Emily Gosack joined Silver and Flin for an AIA SF roundtable on designing for equity. Reflecting on the process, she stressed how feedback from residents was essential to a successful project. “Collaboration and participation helped us understand how design directly impacts a neighborhood,” Gosack said. “We translated needs and desires into meaningful architecture that activates the community while echoing the site’s past.”

Read more about India Basin Waterfront Park.

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The Fine Print

After decades in an industrial building in San Francisco’s Presidio, the legendary Arion Press moved to a new home at the iconic Fort Mason Center for Arts & Culture this fall. The clank of the printing press now rings out in a 10,000-square-foot studio designed by Jensen Architects. Arion is known for beautiful, handcrafted literary works, and the new space  brings the magic of bookmaking closer to the public with a gallery and bookshop. Floor-to-ceiling windows flood the 1912 warehouse with natural light, providing passersby with glimpses of the vintage machines in the metal type foundry, letterpress room, and bookbindery.

To mark the press’s 50th anniversary, San Francisco mayor London Breed declared October 19 Arion Press Day. 

Mark Jensen told the San Francisco Chronicle that it’s been “particularly gratifying” to work on a project that brings two historic cultural entities together. The firm’s relationship with Fort Mason dates back to 2012 and the development of a master plan for the waterfront site (in collaboration with West 8) and Gallery 308.

Read more about Arion Press.

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Follow the River

The beginning may have been inauspicious, if not impossible: a steep, bankside lot along the Russian River, a tumbledown cabin, and a tangle of weeds and bramble, but Mark Jensen and Johanna Grawunder fell in love with the view—and saw the potential for their dream home. In September, the New York Times featured their under 1,000-square foot, three-story house (with 80 steps from road to water) in a remarkable story of transformation and discovery. 

Chronicling their design journey, Jensen shared a moment of delight—a bit of wonder that had been there all along, “We found all these beautiful terraces along the river, with handmade concrete work and embedded abalone shells and tiles. It was like excavating in Pompeii.”

Read more about the house.

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